Some time ago it was reported that Michael Marshall was adapting a King story. Today Bev Vincent reported the following:
Since this was posted on Shocklines, I'll repeat it here: "Mike's also going to be adapting the Stephen King short story Mrs Todd's Shortcut for TV."
Here is some news about a remake of Christine
Stephen King's hellbent '58 Plymouth Fury, Christine, is back in the shop for some modern retooling, no secret there. However, who are the creative mechanics working under the hood? Word trickled over to us that Disturbia co-writer Christopher Landon may be flirting with the project. In talking with him one-on-one about his latest Dreamworks thriller (he shares screenwriting credit with Carl Ellsworth), Landon was hesitant to delve deep into the subject of a Christine remake, but he did confirm his possible involvement.
"['Christine'] has been all over the place," he says, alluding to the property's travels as a rumored SCI FI Channel Original to Sony and NBC's plans to turn it into an event telepic. "If it happens or not we'll see, but when I came in what I wanted to do was really go back to the book, the source material. I'm a fan of the Carpenter version, it is fun. But the book was much more of a possession story than it was just a killer car. That's what made the book so great is that what was so terrifying was that it wasn't just about an inanimate object running around and killing people, it was a boy who was sorta being taken over by the former owner of the car - and there was something more terrifying about that. Also, I just love the dynamics of the characters and so forth. Right now it's way too soon say anything else about it. We're so in the thick of deal-making, I don't want to blow anything else!"
Fair enough. King's original 1983 novel was turned into a John Carpenter film that same year starring John Stockwell (director of Turistas), Keith Gordon ("Dexter") and Alexandra Paul ("Baywatch"). Not long ago, a remake of the film was announced along with an update of King's Pet Sematary.
Eli Roth talks about his adaptation of Cell:
Eli Roth, who will direct the feature-film version of Stephen King's best-seller Cell, told SCI FI Wire that he won the endorsement of the famously finicky author for his version of the story. "My first question when I adapted it was can I deviate from the book?" Roth said in an interview in Beverly Hills, Calif., on March 25 while promoting Grindhouse, in which he has a small part. "It's Stephen King. Am I going to piss off Stephen King? He was mad at Stanley Kubrick [who adapted King's The Shining], I don't want him mad at me. And, finally, Stephen King was like, 'Do whatever you want.'"
Roth (Hostel) and writers Scott Alexander and Larry Karaszewski are now writing the script for Cell, based on King's apocalyptic book in which a mysterious cell phone "pulse" drives some people insane all over the world, turning them into ravening killers.
Roth said that he would necessarily change elements of King's book, while maintaining other elements. "I love the opening [scene]," Roth said. "But I also want to keep, ... not necessarily that same chaotic tone, but I want to keep the tension of the opening 40 pages of the book going throughout the whole film and introduce other elements. Because I think the book, for me, where it loses tension is where suddenly you don't feel like the phone crazies are trying to kill them. ... I find that it's finding other ways to make it so you still feel the tension that any second you could get killed [and] carrying that throughout the whole film."
Roth, a native of Boston, added that he hopes to shoot the movie in that city, where it is set. And he'd even like to persuade King to make a cameo in the movie, which Roth will begin after he wraps the upcoming sequel Hostel 2.
"If he'd like to, sure," Roth said of a King cameo. "There's always room. That's the good thing about Cell. Because it's like crazy people running around trying to [kill you] It's like everybody gets a cameo."
Stephen King Guest Editor For 2007 Edition Of "The Best American Short Stories"
Stephen King is the editor for the new edition of "The Best American Short Stories," an anthology that is organized by a well-known guest editor each year. King said he picked 20 stories to be featured in the 2007 edition, which will be out in October, after reading more than 400.
King also said the book will contain a list of 100 short stories that weren't chosen for the collection but made the "honor roll."
He wrote in the introduction to the collection: "There isn't a single one ... that didn't delight me, that didn't make me want to crow 'Oh man, you gotta read this!' to someone. I knew it would be that way. That's why I took the job. Talent does more than come out; it bursts out, again and again, doing exuberant cartwheels while the band plays 'Stars and Stripes Forever.'"
The BASS anthology first came out in 1915. Past guest editors include Amy Tan, Raymond Carver, Joyce Carol Oates, Garrison Keillor and John Updike.
Here are the DVD cover and info for the fifth edition of The Dead Zone:
All episodes will be presented in Anamorphic Widescreen (1.78:1), with Dolby Digital 5.1 audio. Special features include:
"The Other side of the Camera" explores the directorial debut of series stars Chris Bruno (Sheriff Walt Bannerman) and John L. Adams (Bruce Lewis) and how they made the challenging and exciting move to the director's chair for Season Five.
"A Day With JLA” is a guided tour of a typical day on set with series star John L. Adams (Bruce Lewis).
Four Audio Commentaries on:
- Eps #4013 "Articles of Faith" with: Actor/Producer Anthony Michael Hall, DVD Producer Robert Chynoweth, Writer/Supervising Producer Michael Taylor
- Eps #4016 "Revelations" with: Actor/Director John L. Adams, Writer James Morris, Writer Shintaro Shimosawa
- Episode #4014 "Independence Day" with: Director Chris Bruno, Actor Dylan Bruno and Executive Producer Shawn Piller
- Episode #4020 "The Hunting Party" with: Executive Producer Tommy Thompson, Executive Producer Lloyd Segan and Writer Adam Targum
Stephen King says the following about his story Graduation Afternoon, which appears in Postscripts Magazine, issue 10, due out in late April. If you can't wait until then, the 'magazine' (352 pages, 160,000 words) will be launched at this year's World Horror Convention in Toronto (29 March to 1 April).
“When I woke, I slid to the floor, glad to be awake and amazed that any human brain could hold such a powerful image. I know I had to write about it, I know the story had to be short – no more then a vignette – and I know I would never be able to do the image (God, don’t let it be a vision) justice.”
As reported yesterday the Gunslinger's Guidebook has been pushed back to August. Co-author Anthony Flamini posted this on the Marvel DT board:
"Yeah, the Gunslinger's Guidebook was originally envisioned as a handbook focusing on Roland's Hambry adventure and everything that occurred prior to that. But as Robin Furth and I discussed things in greater detail, we decided that we also wanted to feature profiles on the all-new Mid-World characters who would be debuting for the first time in the comic adaptation following the Hambry story arc . . . characters such as the ferocious General Grissom (of the blue-faced barbarians). So that's the primary reason for the book's delay -- but you'll be getting a superior product packed with much more original content! The wait will be worth it!"
The Talisman may be both a miniseries and a TV series:
Turner Broadcasting System executives told advertisers that The Talisman, a limited series from Steven Spielberg and DreamWorks Television that will air on TNT in 2008, could become a series in 2009, according to The Hollywood Reporter.
The announcement was made March 6 at New York's Museum of Modern Art. It was part of a presentation on TBS, TNT, Court TV, Turner's broadband site Super Deluxe and Turner Sports.
Spielberg will executive-produce a six-hour miniseries based on Stephen King and Peter Straub's best-selling supernatural thriller The Talisman for the summer of 2008, with DreamWorks Television producing. Spielberg, who produced Into the West for TNT, will be joined by his longtime partner Kathleen Kennedy as executive producer, along with Ehren Kruger (Skeleton Key, The Ring), who will adapt the King/Straub novel. Darryl Frank, who heads up DreamWorks Television, will be co-executive producer, along with Justin Falvey.
The Talisman, which was published in 1984, marked the first collaboration between King and Straub. It tells the story of Jack Sawyer, a boy who goes on a quest through this world and through a parallel world known as "The Territories" on a mission to obtain a mysterious talisman that will save his dying mother's life and that of her "twinner," the Queen of the Territories.
JJ Abrams talks The Dark Tower:
Wired News: Turning to your Stephen King project for a second, The Dark Tower wasn't well-received by most critics or even some die-hard Stephen King fans. What attracts you to the project?
Abrams: This is something that we are just now talking about with Stephen, so it's too early for me to say that we're even officially doing it yet just because the thing is in the early stages of discussion. I love what the The Dark Tower is. Damon Lindelof is obsessed (with it). We met Stephen, who was just the greatest, and hit it off. What's exciting to me about it is that it is a very edgy epic. You could . . . say it's his Tolkien Ring series, but I feel like it has a potential of being a lot more. I think that sense of that great hero, that sort of Western, iconic, almost spaghetti-Western-type hero in this landscape is just an amazing -- it feels iconic to me.
Here is another description of Blaze. This one is from Cemetery Dance:
"Blaze is the story of a giant, mentally challenged man who decides to kidnap a baby and hold it for a $1 million ransom. The novel flips back and forth between the current story of Blaze's kidnapping and flight from the law to stories of his abusive past. There's another character named George, who is Blaze's best friend; it's George who actually convinces Blaze to kidnap the baby. The only problem is, George may or may not be dead, and thus be a psychological manifestation ... or perhaps a ghost."
Here are some news about a remake of Children of the Corn from Moviehole.net:
Dimension has been trying to get the “Children of the Corn” back in the summery fields – and theaters – for forever and a day. Finally, It looks like the lil’ blonde bastards may be returning to work.
A few years back, screenwriter Joe Harris (“The Tripper”) was attached to pen a new sequel to the George Goldsmith-penned original… but the plan fell through like a president’s promises.
Now, according to IESB, the plan is to remake the first film - which starred a pre-Terminator Linda Hamilton - with “Saw 3” helmer Darren Lynn Bousman attached to direct. Though the studio, or Bousman’s reps, won’t confirm the news… it sounds like the report is as solid as frozen yogurt.
I haven’t seen the original film in years – maybe a decade – but I did recently pick up a copy of the film for about $2 at a video store closing down sale. I really should give it a look again. From memory, it wasn’t a bad film.
Based on the short story by Stephen King, “Corn” told of a boy preacher named Isaac who goes to a town in Nebraska called Gatlin and gets all the children to murder every adult in town.
Ya know what? For once, I think I’d rather a straight-up remake here… rather than just another sequel. The “Children of the Corn” sequels they were churning out (most of them, direct-to-video) were just bullshit. Near unwatchable. The original film is getting a bit long in the tooth too, so it could probably do with a make-over. Heck, if I don’t remember it that well… then chances are everyone under the age of say, 30, doesn’t remember it at all.
Bev Vincent found the following in an interview with Michael Marshall.
At the moment, I'm about to start a television adaptation of a Stephen King short story, and am co-writing and co-producing a feature adaptation of my short story 'Hell Hath Enlarged Herself'.
No word on what story it is or for what channel though. Stay tuned for more…
Here is part of an interview with Lorenzo di Bonaventura who's company is producing 1408: Q: Is "1408” already in production?
Lorenzo di Bonaventura: It’s finished. Not quite. That’s a movie where when we set out, we actually did not shoot the ending. We wanted to see the movie before we shot the ending.
Q: So you haven’t shot the ending?
Lorenzo di Bonaventura: No, we’ve got to shoot the ending. (Laughs) It was a really interesting idea because the idea of doing a real time movie in a hotel – one man in a one-bedroom suite for 80 minutes of real time. We didn’t know how you’d come out of that. Like do you need bigger or do you need smaller? What do you need? Or do you feel like he should die or do you feel like he should live? What do you feel? And so we wrote like 15 different endings because Stephen King’s short story doesn’t really have an ending. It just sort of ends and it’s not a cinematic ending. I’ll say it that way. So that’s the last piece of the puzzle, but it’s really fascinating to have done a movie all in a room and we all went sort of crazy.
Here is a description of Blaze from Amazon/UK:
"At 6'7"and just under 300 lbs, Clay Blaisdell is one big mother, but his capers were just small-time until he met George Rackley. George introduced him to a hundred cons and one big idea: kidnapping the child of rich parents. The Gerards are filthy rich, and the last twig on the family tree could be worth millions. There's only one problem: by the time the deal goes down, the brains of the partnership is dead. Or is he? Now Blaze is running into the teeth of a howling storm and the cops are closing in. He's got a baby as a hostage, and the crime of the century just turned into a race against time in the white hell of the Maine woods."
Here is a clarification from King's message board:
"I asked Steve for clarification on this and his response was that no deal has been finalized. If and when one is, it will be a 3 year option which he will sell them for $19. I can tell you from experience that there have been many times when an option has expired before a film is made so even an option doesn't mean it's a done deal. "
Finally there are some images available from The Dark Tower panel at Comic Con. Thanks to Dread Central we can now see what the event looked like. Read about the event and check out their photos here.
Here is more from Comic Con. Quint over at AICN has done an interview with King that will be published tomorrow but he also has a report about the panel discussion about The Dark Tower:
-Right now there are no plans to bring on any other artist for the Dark Tower comics. King loved Jae Lee's work and says that these books are firmly Lee's, Furth's and David's vision.
-The comics will follow Roland through Mejis (all Book 4 stuff), but it definitely WILL go past Book 4 and all the way up to Jericho Hill, which King demanded a giant splash page from Lee.
- Regarding further Dark Tower comics, King said, "There's always more stories."
- Hal from 2001 inspired Blaine the Mono (and that is the truth).
- When King writes, he doesn't see his characters, he doesn't tend to visualize them. "It's like I'm behind their eyes... maybe if they looked in a mirror..."
- King views the Dark Tower series as a first draft and plans to rewrite the entire series, but he promises he won't make them the Special Editions. The originals will always be out there.
Now for the two biggest newsworthy bits to come out of the panel:
- When asked if he'd turn another one of his books into a comic series with Marvel, King said he and Quesada were just beginning to talk about doing a version of The Stand as a Comic series. That made me perk up. How cool would that be?
- And the JJ Abrams bit. King said that Damon Lindelof and JJ Abrams did express interest, especially Damon, and wanted to develop the project. King said he was resistant to everybody in the past, but trusted Abrams and Lindelof. He said he trusted Frank Darabont, too, but he felt Frank always had too much on his plate. When Abrams and Lindelof approached King about trying to make the project work, King responded, "I'll tell you what... you can option the books and see what you can do with it." Nothing is set up, but they have the option... and if it doesn't work out, then no harm no foul, yeah? How much did Abrams and Lindelof pay for the option? $19, of course.