I don’t know if I was ever as nervous as I was sending that first cut to Steve. He was the first person outside of my editorial department who got to see the film, and I was terrified about what he’d think. He was my hero, and this particular movie was a high-wire act without a net. He loved the film, and sent me a long email about his thoughts. I’m not lying when I tell you that I printed it and framed it. It’s still hanging in my office.