Quote from Frank Darabont
"Doing THE MIST is a delight for me on a number of levels. For starters, I've always loved horror as a genre. Not so much the slasher thing, that got tired very quickly in my view, but from my earliest recollection I grew up loving movies that sought to scare the crap out of me, starting with the classic Universal monsters. Well, of course, that love of the genre is what led me to Stephen King's works in the first place, isn't it? So it's time to repay that debt and try to scare the crap out of an audience myself. With Steve's great story, and a little luck, I'm hoping to do just that.
“Another reason is, it's a project Stephen King and I have been talking about doing for almost twenty years now, since I first got to know and become friends with the man. In fact, it almost was my first directing project many years ago, but I went classy and did THE SHAWSHANK REDEMPTION instead. But THE MIST never went away; it's been lurking out there calling my name for a long, long time...and it's time to answer the call; it's time to get down and dirty and make a nasty little character-driven gut-punch horror movie. It's one of Stephen King's most legendary shorter works, very well known by his fans. Marsha in King’s office tells me it's the number one question asked by his fans when they write to his website (which she runs): when's THE MIST going to be made as a film? Well, I've always wanted to make my low-budget horror movie, so here we go. In a very real sense, I have to thank Danny Boyle, a man I've never met, but whose example in making 28 DAYS LATER really encouraged me. I saw that film, loved it, and thought: Well, why the hell not? Why not go make your scary little movie, shoot it fast, have some fun?
“That segues to the final reason I'm so looking forward to doing this. In a sense, doing a film like THE MIST is like putting myself into film school and learning a whole new approach to what I do. I had a foretaste of that earlier this year when I had the privilege of directing an episode of THE SHIELD for my friend Shawn Ryan. It was a seven-day shoot, fast-fast-fast, and I have to say there was something wildly liberating about shooting that way...it was an opportunity to put aside my reverence for Kubrickian elegance for a moment (and the painstaking approach it entails) and shoot fast and loose instead, do a real seat-of-the-pants style that embraces the ragged edges as virtues instead of avoiding them as sins. I'd say that if directing something like THE GREEN MILE is the equivalent of conducting a huge symphony orchestra playing Beethoven's Ninth in perfect tune, then directing something like THE SHIELD is the equivalent of jumping up on a small stage and playing with a small jazz combo and not caring if you miss a few notes -- in fact, missing some notes is kind of the point, isn't it? I want to take what I learned doing THE SHIELD and apply it to a feature film, and THE MIST is the perfect venue for that kind of in-your-face, in-the-moment energy. So one might say that if I've been going to film school this year, and if THE SHIELD was my mid-term, then THE MIST will be my class thesis. I can always go back to being the elegant guy later.”
Thanks to Anders Jakobson